Just when you thought nothing new could be done with the undead, “The Cured” pulls off a fresh take on zombie terrain. Irish writer-director David Freyne’s impressive first feature lends the dimension of political allegory that recently deceased subgenre king George Romero brought to his many “Dead” films, albeit in a somewhat subtler fashion. The result effectively plays more as serious drama than as horror thriller, despite key elements of the latter. With Ellen Page offering an additional lure for stateside audiences, this imperfect but compelling work has strong prospects if it can avoid the often hazardous theatrical gap between art house and mainstream audiences.
Dennis Harvey, Variety